FOR YOUR GRAMMY® CONSIDERATION

Sting – Sounds Like Art
Best Music Film 
The Night Watch
Live at the Rijksmuseum
Album Of The Year • Best Folk Album 
Best Album Cover
Best Engineered Album, Non-Classical
 
“Fields Of Gold”
Record Of The Year • Best Americana Performance
Best Arrangement, Instruments and Vocals
 
“The Last Ship”
Best American Roots Performance
The 17-time GRAMMY® Award winning artist
performs in the beautiful surroundings
of
Amsterdam’s Rijkmuseum surrounded by paintings
by Rembrandt, 
Vermeer and Judith Leyster,
and reveals his love for the works of the old masters.
“Sting offers a different listening experience,
where music, history, and art coexist harmoniously.
Sound Arts
 
“The Night Watch is more than just a live album; it’s an
invitation to slow down and listen to the music with the
same reverence you might gaze upon a Rembrandt painting.
Music From The Stage
“Not just a concert performance, but a profound dialogue
between different eras and art forms, bringing
the pure essence of Sting’s songwriting to the audience.”
Long Live Rock N Roll
 
“Just as Rembrandt was acclaimed for his expressive textures
and his ability to capture the raw, vulnerable emotions of his models,
Sting’s performance carries a similar emotional weight.”
Billboard (Argentina)

The Night Watch: Live at the Rijksmuseum, album and the Arte Concert performance film, Sting – Sounds Like Art, captures Sting’s breathtaking performance at one of the world’s great cultural landmarks. Recorded inside Amsterdam’s Rijksmuseum — home to Rembrandt, Vermeer, and Judith Leyster — the album documents an evening unlike any other in his celebrated career.

Performing in the museum’s Gallery of Honor among paintings built on dramatic contrasts between light and shadow, Sting brings that same sensibility to his song choices: intimate ballads & classic hits; allowing the room’s natural acoustics to carry these delicate moments. Just as Rembrandt was celebrated for his expressive textures and ability to capture the raw and vulnerable emotions of his subjects, Sting’s performance here carries an equivalent emotional weight —his are intimate portrayals of love, loss, labor, and longing, each rendered with the care of a painter who knows that what you leave out matters as much as what you put in.

Sting sees a close connection between songs and paintings. Ultimately, it’s about telling stories. “The longer you look at a painting, the more you discover in it. It’s the same with a song – the more often you hear it, the more you understand it.” 

A defining voice in music, Sting’s performance at the Rijksmuseum reveals an evolving musical palette, one filled with vibrant imagery shaped by his surroundings. Playing a rare 17th-century guitar — originally crafted for the court of Louis XIV — and accompanied by his longtime collaborator & guitarist, Dominic Miller, Sting navigates his catalogue with an unhurried authority. Selections from his TONY® Award-nominated musical The Last Ship — a deeply personal tribute to the shipbuilding community of his native Northeast England — sit alongside The Police classics and his beloved solo hits. 

While the Rijksmuseum’s crown jewel — Rembrandt’s The Night Watch — undergoes restoration, the museum opened the doors of its striking glass-fronted gallery for a rare, intimate performance of “Mad About You” and “When We Dance” accompanied by Dominic Miller. They also performed in the museum’s spectacular library, a fitting stage for a former teacher with a lifelong dedication to reading and learning. 

Sting: Vocals, Bass
Dominic Miller: Guitars, Backing Vocals
Recorded for Arte Sounds like Art
Produced by Martin Kierszenbaum
Additional Engineering by Tony Lake
Mixed by Robert Orton, www.hitmixer.com
Mastered by Gene Grimaldi, Oasis Mastering
Vinyl Sequencing and QC: Clark Pardee

Tour Manager: Julie Galetar
Tour Accountant: Mark Aurelio
Production Manager: Seth Goldstein
Sting’s Bass Technician: Daniel Quatrochi
Guitar Technician: Richie Mazzetta
Backline Engineer: Tony Lake
FOH / Monitor Engineer: Peter Behr
Photography: Olaf Heine, John Lewis Marshall
Art Direction & Design: Dina Hovsepian